NYFF 64 Review: ‘Minotaur’ feeds on Russian apathy

In Andrey Zvyagintsev’s “Minotaur,” Russia seems devoid of life. The film opens with dead, gray tree branches before cutting to an equally dead home, owned by middle-aged businessman Gleb (Dmitriy Mazurov). The modernist structure has all the signs of success — sharp edges, glossy windows and lacquered marble accents — and so does Gleb’s life,... This story NYFF 64 Review: ‘Minotaur’ feeds on Russian apathy appeared first on Washington Square News.